Elizabeth Bishop And Her Poem filling Station Essay example -- essay

Elizabeth Bishop and Her Poem " filling send"Elizabeth Bishops skill as a poet can be clearly seen in the thought-provoking poetry entitled Filling air. She paints the different languagelevels of numbers with the skill of an artist-- she seems to have an eye fordetail as she contrasts the dark and bare reference of a filling beam to amore homey, pleasurable atmosphere. Bishop aptly arranges her course andexpressions through the language devices of voice and metaphor.     In Filling Station, Bishop uses tone of voice brilliantly, through theuse of phonetics, to give rise the poems initial atmosphere. The source seems tobe offering a straightforward description of the filling range "Oh, but itis dirty/ -this little filling rank,/ oil-soaked, oil-permeated/ to adisturbing, over-all/ black semitransparency". A closer inspection of the passagereveals quite a optic oil-soaked picture. This is created in large part by theoily deceases them selves. When spoken out-loud the diphthong oi in oil createsa diffusion of sound around the mouth that physically spreads the oil soundaround the passage. An interesting seepage can similarly be clearly seen whenlooking specifically at the words "oil-soaked", "oil-permeated" and "grease-impregnated". These words connect the oi in oily with the word following itand heighten the bed covering of the sound. Moreover, when studying the oiatmosphere throughout the poem the oi in doyley and embroidered seems to oddly stand out. The oozing of the grease in the filling station movesto somebodyly(prenominal) new stanza with the mention of these words In the fourth stanza, "big somber doily", to the second last stanza, "why, oh why, the doily? /Embroidered"to the last stanza, "somebody embroidered the doily".     Whereas the oi sound created an oily sound of language throughout thepoem, the repetitive ow sound achieves a very different syntactical feature.The cans which "softly say /ESSO--SO--SO--SO" create a wind-like blowingeffect from the mouth. Each SO allows for a sort of opthalmic metaphor to beseen-- cars or the personified "high-strung automobiles" as they pass on by.Not single are oi and ow sounds effectively used in this poem to create aunique tone but so is th... ...can be that small part in us that stillsearches for hope and normalcy. We each need a "comfy" filling station. Andalthough judgmental onlookers, or as Bishop writes the "high-strung automobiles",may only want to see the dirtiness of an individual character, a family orsituation, they need to realize that if they look deep enough, igniter will shinethrough. "Somebody loves us all" if we are only to give the thought and time.Afterall, even an automobile needs oil both once in a while to continue downits path.     In conclusion, it can be clearly seen that Elizabeth Bishop in the poemFilling Station has wonderfully played with different levels of language likevoice and metaphor. The proofreader becomes actively involved in questioning theirown filling station and the care they give toward it. Is he or she the station,one who drives by the station or one who gives to the station?BibliographyBishop, Elizabeth. "Filling Station." An Introduction to Poetry. Eds. DanaGioia and      X.J. Kennedy. Eighth Edition. hot York HarperCollins CollegePublishers,      1994.